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The Other Side of Greenwashing--"Greenmuting"

As the debate over what is or is not greenwashing continues (our contribution to the discussion can be found here), Scot Case of TerraChoice points out this thought-provoking post by Bob Langert on the McDonalds corporate blog:
I agree there are dangers associated with environmental marketing, but I actually think many companies are reluctant to talk about their environmental efforts because they are concerned they will only be met with criticism. After all, true progress is hard to define, and achieving perfection on the environmental front is impossible, because there will always be ways to improve.

But not talking about environmental efforts, or "greenmuting", can be a sin as well.
Langert goes on to provide his own list of the "Six Sins of Greenmuting," which basically involve companies' reluctance to publicly engage environmental issues at all out of fears they will get burned. As Langert, in effect, points out, as pressures to be socially and environmentally responsible continue to mount, you are likely to get burned sooner or later, one way or another; but if you get out in front of the issue and communicate freely about your honest efforts to do the right thing, the burns you suffer will almost surely be less severe and faster-healing (to push the "burning" metaphor perhaps one step too far).

An interesting case in point comes from the blog of hotelier Bill Marriott, which I discovered while writing this post. Marriott recently wrote about his company's efforts to make their corporate headquarters greener, involving recycling, energy conservation, and other initiatives.

What's interesting is that Marriott's post has drawn a few dozen comments--some of them thanking Marriott for his company's environmental efforts, but others offering criticisms from every possible direction. Some complain that the headquarters building is just the tip of the corporate iceberg ("How about the thousands of hotel rooms that leave lights on! As a Platinum client (over 100 nights a year . . . mostly Toronto Airport) I found out that all lights and music in your suites are put on at 2pm!!"); others say that customers ought to receive some of the financial benefits from environmental cost-saving ("Please put your money where your mouth is--if you want your customers to save water, than show them some green!"); others worry that worthy issues such as comfort may be getting short shrift ("Look at the way the poor soul in the picture is sitting. Can someone please find him a keyboard tray, with a proper mouse surface. Why not green and healthy--that's the ticket!"); and still others disdain the whole concept ("the efforts to reduce greenhouse gases is misguided and ill informed. The latest research does not point to man as the cause of a changing climate, the Intergovernmental Panel for Climate Change and Mr. Gore's film notwithstanding").

If I were Bill Marriott, my reaction to this barrage of often-contradictory advice might well be to throw up my hands and wonder, "If this is what I get for trying to do the right thing, why do I bother?"

But of course that would be a short-sighted and counter-productive reaction--though perfectly human and understandable. And to Marriott's credit, I see no sign that he or his company are in fact responding that way.

I think they recognize this as one of the perennial truths of business (and of life): Anything good you do quickly gets taken for granted, and the conversation is always about "What's the next good thing you are going to do for us?" The only way to avoid criticism--well-founded or not--is to do nothing at all. And where's the fun in that?

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Business As Art

I enjoyed this article in the Washington Post by Robert F. Bruner, dean of the Darden School of Business at the University of Virginia. Inspired by a chance remark overheard at an Edward Hopper art exhibit, Bruner distinguishes between "painters" and "artists" in business.

In Bruner's formulation, "painters" are the technicians of business: accountants, engineers, financial analysts, logistics experts, and others who know how to get things done with efficiency and accuracy. They are essential to the success of any business. But much more rare--and perhaps even more important--are the "artists," whom Bruner describes this way:
Artists in business are visionaries, inventors, entrepreneurs and general managers, people who create something larger out of the assembly of resources. They are quick learners, they recognize problems and opportunities ahead of the crowd, they shape visions and enlist others in support, they communicate well and are socially aware (in the "macro" sense of understanding big issues in the world and in the "micro" sense of reading a room full of people to understand their issues). They serve with integrity, and, as leaders, they have a bias for action. Bill Marriott, chief executive of Marriott International, and Warren Thompson, of Thompson Hospitality, personify audacity and vision. Bill Crutchfield, founder of Crutchfield Electronics in Charlottesville, exemplifies social awareness when he argues that the most successful firms have a special "soul." Connie Hallquist, chief executive of Gold Violin in Charlottesville, and Patrick Sweeney, chief executive of Dulles-based Odin Technologies, personify superior communication. And so on.
Bruner's distinction is an interesting one, to which I'd add the following observation: That the work of a business "painter" can be objectively judged as either good or bad, right or wrong, correct or incorrect, while that of a business "artist" is measured on a very different set of scales.
What we think about a particular business visionary depends very much on out personal values. That's why millions of people have strong, often contradictory, opinions about today's leading business artists, from Bill Gates to Steve Jobs to Starbucks' Howard Schulz to Google's Larry Page and Sergey Brin. And of course it's the same in the world of art; for every person who would name Hopper as his/her favorite painter, there's another who prefers Van Gogh or Velazquez or Van Eyck--and who's to say that any of these preferences is wrong?

And a corollary is that there are many different ways to be a business artist. To use one of Bruner's examples, in the hospitality industry, Bill Marriott is one kind of artist (and a very successful one), while my sometime co-author Jonathan Tisch of Loews Hotels is quite another, and Ian Schrager, often called the founder of the boutique hotel movement, still another. Each pursues his unique vision, and while the three sometimes compete in the marketplace, they mostly operate in separate arenas where all three can be winners.

Debates about corporate social responsibility sometimes devolve into arguments over whether personal values have any real place in business. To me, it seems obvious that they do--that business, like art, politics, education, religion, science, and virtually every other human endeavor, involves and expresses the whole person: body, mind, heart, and spirit. Our greatest business artists are those who successfully combine the widest possible range of human impulses and find ways to incorporate them all in the enterprises they create.

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Blogroll: The Best Sustainability Sites

The Alternative Consumer
Business of Green
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Cause Encounters
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Climate Change Corp.com
Corporate Watchdog Media
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Earth & Economy
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Ethical Corporation
GOOD Magazine
GreenBiz.com
Green Collar Economy
Green LA Girl
Grist: Environmental News and Humor
The Inspired Economy
Instituto de Empresa Corporate Responsibility Weblog
Joel Makower: Two Steps Forward
LivePaths.com
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Marketing Green
Mr. Green
My Green Element
Next Billion: Development Through Enterprise
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SRI Notes
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